Making a Talmudic Sugya Occupy Space

By: Rabbi Daniel Rosenberg
from Jack Barrack Hebrew Academy

Category:
Development of Critical and / or Creative Thinking

Subject(s) of entry:
Art, Gemara, Philosophy/ Values/ Ethics/ Hashkafa, Social and Emotional Learning, Tanach

Pedagogy:
Design-Thinking Model, Experiential Education, Hevruta Learning, PBL - project based learning, 21st Century Skills

Grade(s) to which this was taught:
9, High school

Grade(s) for which this will be useful:
9, 10, 11, 12, High school

Students composed their own talmudic sugyas using argument forms mastered during their year of study, based on key themes in biblical and talmudic texts they had learned. They then transferred the concepts of their sugyas into three-dimensional sculptures that reflect the thesis and arguments of the sugyas they had written.

Entry Narrative

Introduction

For students in a ninth-grade, combined Talmud and Tanach honors class, I sought to adapt a proven method from an informal, camp setting to a formal, school setting, in order to expand the modalities for student demonstration of learning in a summative assessment. I also wanted to experiment within my class with the school’s emphasis on maximizing the new STEAM/design space and how I might apply it into a Jewish studies classroom.

The end-of-year assessment required students to pick one of the the major themes we discussed throughout the year, and to construct a sugya of their own. This sugya was to be based on their chosen theme, needed to have an overarching theme of their argument, and needed to incorporate a prescribed number of different sugya structures which they had learned. The second stage of the assessment asked students to design and execute (within specified design limits) a visual object that communicated the overarching theme they had set forth within their sugya.

The overall Comprehensive Narrative writeup can be found here: https://docs.google.com/document/d/1EBt8ZYbm_al7k7u5-CmlkAn_rBgyIq5MvqgQCb3lPI4/edit?usp=sharing

Academic context of the school: https://docs.google.com/document/d/1next11z8ah_mWn2UTsHF-7FN-1ZNZ6kdFl0XpHboe08/edit?usp=sharing

Discussion of pedagogic background: https://docs.google.com/a/jbha.org/document/d/1QzgsjyH2VASbf3CHW6DqDIpCAc0DqMVtvmxad_GnhbU/edit?usp=sharing

Project itself: https://docs.google.com/a/jbha.org/document/d/1-l7v–x7uAYqmMZUUDL-aK_XGF80xKXWTEzeztukc8A/edit?usp=sharing

Reflections, including selected student impact statements: https://docs.google.com/document/d/1q1X9bfShmonRIZpX2D3is7UoR_RXSa2255_bcqpvTIA/edit?usp=sharing

Full texts of student impact statements are here: https://docs.google.com/document/d/1sPLhT4B-0vud8vniffz7tN2VP01qcV7Xpq6pVUH-_Xc/edit?usp=sharing

Images and design statements for completed student work can be found here: http://www.jbhasteam.com/9th-grade-beit-midrash-5777-making-talmudic-idea-occupy-space, and some images to encourage you to click through are here:

A handful of teaser photos.

 

Entrant Bio(s)

Rabbi Daniel Rosenberg recently finished his PhD at New York University, and has brought a performing expertise in Jewish folk storytelling to collaborations in Jewish arts education and art installations for more than fifteen years. He has led at day schools in Chicago and Montreal before coming to Philadelphia to the Jack Barrack Hebrew Academy.